Welcome to the Pennant Hills Photographic Club

We welcome all photographers to join and participate in its events and by sharing knowledge to improve and enhance photographic skills. Our club aims to mentor, support, and educate its members, and to foster skills and passion for photography in a collegiate and enjoyable atmosphere.

Meeting Address only: Uniting Church Hall – Corner of Boundary Road and Bellamy Street. Parking is on a grassed block of land opposite the church in Bellamy St., and the entrance we use is facing Bellamy St.

For information on the club please view this link.

To join please download and complete the Membership Form (PDF fillable): Download Membership form

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About Us

PHPC is a medium-sized club of around 40-50 members. Our members range in skill from enthusiastic novices to experienced photographers. The club has a few members who are judges.

We have a number of members who run the mentoring program for our newer members to learn the capabilities of their camera(s). We are large enough to support the growth of members but small enough to be a community, where all members can know each other. The club is here to challenge us to get the best from ourselves and our cameras

Join our Club Upcoming Events - mouse over for details
May
28
Tue
7:30 pm Zoom Presentation: Adam Edwards ...
Zoom Presentation: Adam Edwards ...
May 28 @ 7:30 pm – 10:30 pm
Zoom presentation with Adam Edwards Buildings within Landscapes, hosted by Hornsby Heights Camera Club
Jun
3
Mon
7:30 pm Presentation: Janne Ramsay and P... @ Uniting Church Hall
Presentation: Janne Ramsay and P... @ Uniting Church Hall
Jun 3 @ 7:30 pm – 9:45 pm
Presentation by Janne Ramsay and Phil Weir on Backlighting.
Jun
17
Mon
7:30 pm Comp 05: Open and Set – Backligh... @ Uniting Church Hall
Comp 05: Open and Set – Backligh... @ Uniting Church Hall
Jun 17 @ 7:30 pm – 9:45 pm
An image where all (or most dominant) lighting is behind the main subject.
Jul
8
Mon
7:30 pm ZOOM Presentation: Mieke Boynton...
ZOOM Presentation: Mieke Boynton...
Jul 8 @ 7:30 pm – 9:45 pm
Zoom Presentation by Mieke Boynton on Awesome Abstracts: “The fun and Curiosity of Macros and Aerials”
Recent Posts Archives

Picture Correct Overlays

Greetings fellow photographers,

As a photographer, there are a lot of things we have to consider when taking photographs. One of the most important ones is composition. A photo with good composition is attractive and appealing to the human eye. It’s what will get your work recognized.

When it comes to composition, there are a lot of rules you can follow. One of the most popular ones is the rule of thirds. However, today we’re going to introduce you to a different rule: the Fibonacci spiral, also known as the golden ratio.
 
 
What is the Fibonacci Spiral?

The Fibonacci spiral is a composition guide that creates a perfectly balanced and aesthetically pleasing photograph to the human eye. It stems from the mathematical principle of the golden ratio.

The golden ratio is 1.618:1, and this number is based on spirals we see in nature, such as those in ocean waves, flowers and plants. A lot of famous works of art, such as the Mona Lisa, follow the golden ratio; with the Fibonacci spiral, you’ll be able to apply it to your photography too.

Here are five tips on using the Fibonacci spiral for better compositions.

 
 
1. Place Your Subject on the Spiral End

Above is the Fibonacci spiral used for photographs. You should ideally try to place your subject at the very end of the spiral for the best composition. If you really want to dig into it, try placing important details at points where different lines intersect at the end of the spiral. You can also place the details anywhere in the smallest boxes.

The spiral works by focusing the viewer’s eye on the end of the spiral and then leading them outwards to the whole scene.

So it’s an excellent technique to use when you have a single subject in a wide-angle shot or a single focal point in a landscape.

2. Don’t Stick to One Angle

The great thing about the spiral is that it works from all angles. You can mirror the original spiral, flip it upside down or place it in any direction and it will work! Many beginners think you can only use the spiral in one way, but that isn’t true.

A great tip is to pay attention to the scene you’re capturing and look at things other than your subject.

Are there elements around your subject that you want to bring into the photograph, too? If there are, choose the spiral angle, which should include them.

3. Look for Natural Curves

When it comes to the golden ratio in pictures, the Fibonacci spiral is not the only way to compose photographs. The phi grid is another way to incorporate the golden ratio.

The phi grid is best suited for photographs with many lines in them, while the spiral is excellent for scenes with natural curves.

So before using the spiral, check to see whether the scene you’re shooting has any natural curves. Natural curves can apply to anything: clouds often have natural curves, trees could be curved or even someone’s cheekbone can count as a natural curve!

If your scene is full of straight objects or lines, though, don’t try to force them into the spiral, and consider using the phi grid instead.

4. Use the Rule of Thirds to Help You

The Fibonacci spiral is a bit complex to remember, we know, and you’re not expected to remember it either! However, most cameras don’t have the spiral as a built-in grid overlay option. Instead, what they have is the rule of thirds.

Luckily, you can use the rule of thirds to help you. Turn your rule of thirds overlay option on and place your subject on the intersection of the lines. Now move your camera slightly, so your subject is a bit farther out than the intersection.

A good tip is to take many photographs, adjusting your focal point to be in a slightly different place each time. Doing so will help a lot with our next point!

5. Edit, Edit and Edit

Getting a perfect composition right off the bat is nearly impossible, especially because you don’t have the spiral with you when you’re taking photographs. To get the perfect golden ratio, you have to rely on editing.

 
 
Fortunately, most photo editing software (like Lightroom Classic and Photoshop) have tools built specifically to help you get the perfect golden spiral composition. In Lightroom Classic you’ll find the golden spiral under the Crop Guide Overlay when in cropping mode. In Photoshop, you can access the overlay tools when in crop mode and cycle through the overlays by pressing the letter “O” on your keyboard.

 
 
When you click this option, a spiral overlay will display over your image, and you can move it around to ensure the fine details of your picture are at the small end of the spiral.

Once you do that, you’ll get closer to having the perfect Fibonacci spiral composition.

If you’d like to learn more on how to compose your photographs effectively, you may want to study chapters this in-depth guide while it is 62% off for a sale this month.

For further training: The Understanding Composition Guide

Have fun with it, the golden ratio and composition can be easily practiced around the house.


Sent with 💌 from PictureCorrect

by Chris Kenyon, 23 December 2023

Merry Christmas to all

All at Pennant Hills PHPC wishing you all a happy and safe Christmas and New Year, thank you for being part of our great club and look forward to seeing you all in 2024.

A few quotes to keep you amused.

Photographers are the only people who don’t get arrested for flashing in public.

I only watched fifty shades of gray to learn about white balance.

Have a friend who is a photographer, couldn’t shutter up (sounds like a particular club member).

It’s not out of focus, it’s intentional and artistic (have to remember that one for next years judges).

We all have a photographic memory but some are a bit short of film.

The quickest way to make money from photography is to sell your camera.

Have a great break and come back refreshed and inspired.

Chris

by Chris Kenyon, 20 December 2023

Photo Pills Seascape Photography Guide

Free download from PhotoPills with 150 page guide to Seascape photography, does include references to PhotoPills but packed with information and advice www.photopills.com/articles/seascape-photography-guide   

If you can’t open by simply clicking on the link then right click then “open hyperlink”

Chris

by Chris Kenyon, 20 December 2023

Maitland International Salon of Photography

For those interested the Maitland International is open for entries, please refer to

https://maitlandsalon.myphotoclub.com.au/

by Chris Kenyon, 11 December 2023

Results for 2023 FCC Interclub

Hi All, please find a detailed breakdown of our results from the FCC Interclub 2023. A big congratulations to everyone. We have achieved our best results ever with a high number of Acceptances.

Results for Pennant Hills Photographic Club Inc are as follows:

CompetitionTitle / PhotographerResultsScore
Open Colour Digital 2023Your club entry’s total online score is: 90 .
Open Colour Digital 2023Spiral Staircase / Omid Mazloomi
Accepted12
Open Colour Digital 2023Mardi Gras / Jonathan Holliday
Accepted11
Open Colour Digital 2023Dragon Fly / Janne Ramsay
Accepted9
Open Colour Digital 2023Phoenix in New York / Prasad de Silva
Accepted9
Open Colour Digital 2023The Snakeman / Janne Ramsay
Accepted9
Open Colour Digital 2023Loves Light Cobar / Tony Strasser
8
Open Colour Digital 2023Curved Stairway / Don Dickins
8
Open Colour Digital 2023Taste Dig / Philip Weir
8
Open Colour Digital 2023City Street / Don Dickins
7
Open Mono Digital 2023
Open Mono Digital 2023Waiting In the Rain for a Bus / Don Dickins
Accepted11
Open Mono Digital 2023Lighting Up / Philip Weir
Accepted10
Open Mono Digital 2023The Roof / Omid Mazloomi
Accepted10
Open Mono Digital 2023Man in Robe / Don Munro
Accepted10
Open Mono Digital 2023What’s Inside / Philip Weir
Accepted10
Open Mono Digital 2023River Scenery / Reena Cheng
Accepted9
Open Mono Digital 2023Sydney Opera House Outside / Judy Ly
Accepted9
Open Mono Digital 2023Skylight / Jonathan Holliday
8
Open Mono Digital 2023Balcoln Avenue / Don Dickins
7
Open Mono Digital 2023Lines / Larry Armstrong
3
Nature Digital 2023
Nature Digital 2023Gulfoss One / Chris Barlow
Accepted10
Nature Digital 2023Grubs for Lunch / Nancy Morley
Accepted10
Nature Digital 2023Suckling Between Play / Nancy Morley
Accepted10
Nature Digital 2023Northern Lights / Chris Barlow
Accepted9
Nature Digital 2023Barking Owl / Ruth Penman
Accepted9
Nature Digital 2023Lorikeet Feast / Richard McMullen
Accepted9
Nature Digital 2023New Borns / Larry Armstrong
Accepted9
Nature Digital 2023Hairy Caterpillar / Don Dickins
8
Nature Digital 2023Teal / Prasad de Silva
8
Nature Digital 2023Pink Flannel Flower / Sue Crowe
7
Creative Digital 2023
Creative Digital 2023Experiment in images / Philip Weir
Accepted11
Creative Digital 2023Crash Landing / Don Dickins
Accepted8
Creative Digital 2023Help is on its Way / Philip Weir
Accepted8
Creative Digital 2023Cape Hillsborough / Janne Ramsay
7
Creative Digital 2023Glass Ball Reflection / Judy Ly
7
Creative Digital 2023Luna Park Hair Raiser / Graeme James
6
Creative Digital 2023Rolling The Glass / Nancy Morley
6
Creative Digital 2023Historic Buildings Parramatta Park / Graeme James
6
Creative Digital 2023Burwood After Dark / Judy Ly
6
Creative Digital 2023Wineglass Bay / Janne Ramsay
6
Australian Landscape/Seascape Digital 2023
Australian Landscape/Seascape Digital 2023Knobbys Beach / Michael Frost
Accepted10
Australian Landscape/Seascape Digital 2023Lamington Sunset / Sue Crowe
Accepted10
Australian Landscape/Seascape Digital 2023The Giants Above / Nancy Morley
Accepted9
Australian Landscape/Seascape Digital 2023Reflections near Blowhole / Omid Mazloomi
Accepted9
Australian Landscape/Seascape Digital 2023Early Morning in Perisher / Janne Ramsay
Accepted9
Australian Landscape/Seascape Digital 2023Megalong Valley / Larry Armstrong
Accepted8
Australian Landscape/Seascape Digital 2023Snowgum / Tony Strasser
Accepted8
Australian Landscape/Seascape Digital 2023Lockhart River / David Mellefont
Accepted7
Australian Landscape/Seascape Digital 2023Coila Bay / Ruth Penman
Accepted7
Australian Landscape/Seascape Digital 2023Camel Rock / David Mellefont
6
Open Colour Print 2023
Open Colour Print 2023Uni Spiral / Chris Kenyon
Accepted12
Open Colour Print 2023Sunset Strip Menindee / Elaine Holliday
Accepted11
Open Colour Print 2023King of the Mardi Gras / Elaine Holliday
Accepted10
Open Colour Print 2023Modern Architecture / Omid Mazloomi
Accepted9
Open Colour Print 2023Desert Storm / Robin Levin
8
Open Colour Print 2023Left and Right / Chris Kenyon
8
Open Colour Print 2023Seiler / Graeme James
8
Open Colour Print 2023Best View In Town / Robin Levin
8
Open Colour Print 2023Boat Race / Graeme James
6
Open Colour Print 2023Peace Lily / Larry Armstrong
6
Open Mono Print 2023
Open Mono Print 2023Circular Interior / Don Dickins
Accepted11
Open Mono Print 2023Granny having a Cup / Philip Weir
Accepted11
Open Mono Print 2023Egg Fork / Jonathan Holliday
Accepted10
Open Mono Print 2023Still Life Tulips / Don Munro
Accepted10
Open Mono Print 2023Take Me to the Church / Elaine Holliday
Accepted10
Open Mono Print 2023Grassy Headland / Elaine Holliday
Accepted10
Open Mono Print 2023The Lennox Parramatta / Graeme James
9
Open Mono Print 2023Two Trees / Don Dickins
9
Open Mono Print 2023Third Eye / Don Munro
8
Open Mono Print 2023Heading for Shore / Nancy Morley
8
Open Nature Print 2023
Open Nature Print 2023Mount Buffalo / Chris Kenyon
Accepted12
Open Nature Print 2023Flannel Flower / Don Dickins
Accepted10
Open Nature Print 2023Splendor in the Grass / Larry Armstrong
Accepted10
Open Nature Print 2023Covid Like Fungi / Don Dickins
Accepted9
Open Nature Print 2023Hungry Darter / Prasad de Silva
Accepted9
Open Nature Print 2023Stripping Bark / Larry Armstrong
Accepted9
Open Nature Print 2023Coming Home / Tony Strasser
8
Open Nature Print 2023Zebra Finches / Tony Strasser
8
Open Nature Print 2023Road Kill / Max Pegler
8
Open Nature Print 2023Beside the River / Nancy Morley
6
Drone/Aerial Photography 2023
Drone/Aerial Photography 2023Arizona / Richard McMullen
Accepted14
Drone/Aerial Photography 2023Streams of Gold / Jonathan Holliday
Accepted14
Drone/Aerial Photography 2023Flames of Tyrell / Elaine Holliday
Accepted14
Drone/Aerial Photography 2023Salt Junction / Sonia Conn
Accepted12
Drone/Aerial Photography 2023Rolling Waves / Nancy Morley
Accepted12
Drone/Aerial Photography 2023North Curl Curl Rock Pool / Elaine Holliday
Accepted11
Drone/Aerial Photography 2023Netting / Jonathan Holliday
Accepted9
Drone/Aerial Photography 2023Kati Thanda One / David Mellefont
7
Drone/Aerial Photography 2023Lady of Lake Wakatipu / Sonia Conn
6
Drone/Aerial Photography 2023Olgas Uluru / Menno Kipper
4

Award Certificates: You can generate award certificates to save or print out from the website click here.

Acceptance scores

Open Mono Print 2023 : 10
Open Colour Print 2023 : 9
Open Nature Print 2023 : 9
Open Colour Digital 2023 : 9
Open Mono Digital 2023 : 9
Nature Digital 2023 : 9
Creative Digital 2023 : 8
Australian Landscape/Seascape Digital 2023 : 7
Drone/Aerial Photography 2023 : 8

Whether an entry has been awarded an acceptance is determined by the acceptance score set for each competition. After the first round of judging the top scoring images in each section were reviewed by the judges to determine the awards.

A catalogue showing all awards and acceptances will be available on the website soon.

by Janne Ramsay, 5 December 2023

Results for competitions in Poster Competition

There were 3 entries that were rated the highest by our judge(s).

Members can view all images and comment on them by following this link
View / Comment entries in Poster Competition

click here to see a pdf catalog of all competition results

1929 Buick
Don Dickins – First
Poster Competition

Flames at Tyrrell
Elaine Holliday – Second
Poster Competition

Abandoned grader
Jonathan Holliday – Third
Poster Competition

by Don Dickins, 5 December 2023

Results for competitions in Poster Competition

There were 3 entries that were rated the highest by our judge(s).

Members can view all images and comment on them by following this link
View / Comment entries in Poster Competition

click here to see a pdf catalog of all competition results

1929 Buick
Don Dickins – First
Poster Competition

Flames at Tyrrell
Elaine Holliday – Second
Poster Competition

Abandoned grader
Jonathan Holliday – Third
Poster Competition

by Don Dickins, 4 December 2023

Results for competitions in Comp 12 Print and Projected Image

There were 12 entries that were rated the highest by our judge(s).

Members can view all images and comment on them by following this link
View / Comment entries in Comp 12 Print and Projected Image

click here to see a pdf catalog of all competition results

Blue vase
Elaine Holliday – First
Open Colour Large Print

Take me to church
Elaine Holliday – First
Open Mono Large Print

Mardi Gras
Jonathan Holliday – First
Open Small Print

The Taste Dig open
Philip Weir – First
Digital

Uni Spiral
Chris Kenyon – Second
Open Colour Large Print

Granny having a cuppa
Philip Weir – Second
Open Mono Large Print

Foggy Morning
Kate Fujii – Second
Open Small Print

Phil Weir
Prasad de Silva – Second
Digital

Seiler
Graeme James – Third
Open Colour Large Print

Circular Interior
Don Dickins – Third
Open Mono Large Print

Time to Bloom
Chris Kenyon – Third
Open Small Print

STEAM PUNK GENT
Don Dickins – Third
Digital

by Don Dickins, 4 December 2023

Last Meeting for 2023 Images of the Year, Poster sized image & Christmas Party

Don’t forget next Monday night is the last meeting for 2023, bring some nibbles or drink, the church wont permit alcohol.

Reminder for those doing poster sized prints minimum size is 40.6 X 50.8, please hard back your prints as they are difficult to display and handle if unbaked.

See you Monday Night

by Chris Kenyon, 29 November 2023

Print & Projected Images Of The Year –

Just a reminder that all entries in the final competition for the year on the 4th of December Print & Projected Image of the Year MUST be as originally presented during this years competitions i.e. additional image manipulation is not permitted

This is a competition to determine the best images presented throughout the year.

Chris Kenyon

by Chris Kenyon, 22 November 2023