Picture Correct Overlays
Greetings fellow photographers, As a photographer, there are a lot of things we have to consider when taking photographs. One of the most important ones is composition. A photo with good composition is attractive and appealing to the human eye. It’s what will get your work recognized. When it comes to composition, there are a lot of rules you can follow. One of the most popular ones is the rule of thirds. However, today we’re going to introduce you to a different rule: the Fibonacci spiral, also known as the golden ratio. |
What is the Fibonacci Spiral? The Fibonacci spiral is a composition guide that creates a perfectly balanced and aesthetically pleasing photograph to the human eye. It stems from the mathematical principle of the golden ratio. The golden ratio is 1.618:1, and this number is based on spirals we see in nature, such as those in ocean waves, flowers and plants. A lot of famous works of art, such as the Mona Lisa, follow the golden ratio; with the Fibonacci spiral, you’ll be able to apply it to your photography too. Here are five tips on using the Fibonacci spiral for better compositions. |
1. Place Your Subject on the Spiral End Above is the Fibonacci spiral used for photographs. You should ideally try to place your subject at the very end of the spiral for the best composition. If you really want to dig into it, try placing important details at points where different lines intersect at the end of the spiral. You can also place the details anywhere in the smallest boxes. The spiral works by focusing the viewer’s eye on the end of the spiral and then leading them outwards to the whole scene. So it’s an excellent technique to use when you have a single subject in a wide-angle shot or a single focal point in a landscape. 2. Don’t Stick to One Angle The great thing about the spiral is that it works from all angles. You can mirror the original spiral, flip it upside down or place it in any direction and it will work! Many beginners think you can only use the spiral in one way, but that isn’t true. A great tip is to pay attention to the scene you’re capturing and look at things other than your subject. Are there elements around your subject that you want to bring into the photograph, too? If there are, choose the spiral angle, which should include them. 3. Look for Natural Curves When it comes to the golden ratio in pictures, the Fibonacci spiral is not the only way to compose photographs. The phi grid is another way to incorporate the golden ratio. The phi grid is best suited for photographs with many lines in them, while the spiral is excellent for scenes with natural curves. So before using the spiral, check to see whether the scene you’re shooting has any natural curves. Natural curves can apply to anything: clouds often have natural curves, trees could be curved or even someone’s cheekbone can count as a natural curve! If your scene is full of straight objects or lines, though, don’t try to force them into the spiral, and consider using the phi grid instead. 4. Use the Rule of Thirds to Help You The Fibonacci spiral is a bit complex to remember, we know, and you’re not expected to remember it either! However, most cameras don’t have the spiral as a built-in grid overlay option. Instead, what they have is the rule of thirds. Luckily, you can use the rule of thirds to help you. Turn your rule of thirds overlay option on and place your subject on the intersection of the lines. Now move your camera slightly, so your subject is a bit farther out than the intersection. A good tip is to take many photographs, adjusting your focal point to be in a slightly different place each time. Doing so will help a lot with our next point! 5. Edit, Edit and Edit Getting a perfect composition right off the bat is nearly impossible, especially because you don’t have the spiral with you when you’re taking photographs. To get the perfect golden ratio, you have to rely on editing. |
Fortunately, most photo editing software (like Lightroom Classic and Photoshop) have tools built specifically to help you get the perfect golden spiral composition. In Lightroom Classic you’ll find the golden spiral under the Crop Guide Overlay when in cropping mode. In Photoshop, you can access the overlay tools when in crop mode and cycle through the overlays by pressing the letter “O” on your keyboard. |
When you click this option, a spiral overlay will display over your image, and you can move it around to ensure the fine details of your picture are at the small end of the spiral. Once you do that, you’ll get closer to having the perfect Fibonacci spiral composition. If you’d like to learn more on how to compose your photographs effectively, you may want to study chapters this in-depth guide while it is 62% off for a sale this month. For further training: The Understanding Composition Guide Have fun with it, the golden ratio and composition can be easily practiced around the house. Sent with 💌 from PictureCorrect |
by Chris Kenyon, 23 December 2023
Merry Christmas to all
All at Pennant Hills PHPC wishing you all a happy and safe Christmas and New Year, thank you for being part of our great club and look forward to seeing you all in 2024.
A few quotes to keep you amused.
Photographers are the only people who don’t get arrested for flashing in public.
I only watched fifty shades of gray to learn about white balance.
Have a friend who is a photographer, couldn’t shutter up (sounds like a particular club member).
It’s not out of focus, it’s intentional and artistic (have to remember that one for next years judges).
We all have a photographic memory but some are a bit short of film.
The quickest way to make money from photography is to sell your camera.
Have a great break and come back refreshed and inspired.
Chris
by Chris Kenyon, 20 December 2023
Photo Pills Seascape Photography Guide
Free download from PhotoPills with 150 page guide to Seascape photography, does include references to PhotoPills but packed with information and advice www.photopills.com/articles/seascape-photography-guide
If you can’t open by simply clicking on the link then right click then “open hyperlink”
Chris
by Chris Kenyon, 20 December 2023
Maitland International Salon of Photography
For those interested the Maitland International is open for entries, please refer to
https://maitlandsalon.myphotoclub.com.au/
by Chris Kenyon, 11 December 2023
Results for 2023 FCC Interclub
Hi All, please find a detailed breakdown of our results from the FCC Interclub 2023. A big congratulations to everyone. We have achieved our best results ever with a high number of Acceptances.
Results for Pennant Hills Photographic Club Inc are as follows:
Competition | Title / Photographer | Results | Score |
---|---|---|---|
Open Colour Digital 2023Your club entry’s total online score is: 90 . | |||
Open Colour Digital 2023 | Spiral Staircase / Omid Mazloomi | Accepted | 12 |
Open Colour Digital 2023 | Mardi Gras / Jonathan Holliday | Accepted | 11 |
Open Colour Digital 2023 | Dragon Fly / Janne Ramsay | Accepted | 9 |
Open Colour Digital 2023 | Phoenix in New York / Prasad de Silva | Accepted | 9 |
Open Colour Digital 2023 | The Snakeman / Janne Ramsay | Accepted | 9 |
Open Colour Digital 2023 | Loves Light Cobar / Tony Strasser | 8 | |
Open Colour Digital 2023 | Curved Stairway / Don Dickins | 8 | |
Open Colour Digital 2023 | Taste Dig / Philip Weir | 8 | |
Open Colour Digital 2023 | City Street / Don Dickins | 7 | |
Open Mono Digital 2023 | |||
Open Mono Digital 2023 | Waiting In the Rain for a Bus / Don Dickins | Accepted | 11 |
Open Mono Digital 2023 | Lighting Up / Philip Weir | Accepted | 10 |
Open Mono Digital 2023 | The Roof / Omid Mazloomi | Accepted | 10 |
Open Mono Digital 2023 | Man in Robe / Don Munro | Accepted | 10 |
Open Mono Digital 2023 | What’s Inside / Philip Weir | Accepted | 10 |
Open Mono Digital 2023 | River Scenery / Reena Cheng | Accepted | 9 |
Open Mono Digital 2023 | Sydney Opera House Outside / Judy Ly | Accepted | 9 |
Open Mono Digital 2023 | Skylight / Jonathan Holliday | 8 | |
Open Mono Digital 2023 | Balcoln Avenue / Don Dickins | 7 | |
Open Mono Digital 2023 | Lines / Larry Armstrong | 3 | |
Nature Digital 2023 | |||
Nature Digital 2023 | Gulfoss One / Chris Barlow | Accepted | 10 |
Nature Digital 2023 | Grubs for Lunch / Nancy Morley | Accepted | 10 |
Nature Digital 2023 | Suckling Between Play / Nancy Morley | Accepted | 10 |
Nature Digital 2023 | Northern Lights / Chris Barlow | Accepted | 9 |
Nature Digital 2023 | Barking Owl / Ruth Penman | Accepted | 9 |
Nature Digital 2023 | Lorikeet Feast / Richard McMullen | Accepted | 9 |
Nature Digital 2023 | New Borns / Larry Armstrong | Accepted | 9 |
Nature Digital 2023 | Hairy Caterpillar / Don Dickins | 8 | |
Nature Digital 2023 | Teal / Prasad de Silva | 8 | |
Nature Digital 2023 | Pink Flannel Flower / Sue Crowe | 7 | |
Creative Digital 2023 | |||
Creative Digital 2023 | Experiment in images / Philip Weir | Accepted | 11 |
Creative Digital 2023 | Crash Landing / Don Dickins | Accepted | 8 |
Creative Digital 2023 | Help is on its Way / Philip Weir | Accepted | 8 |
Creative Digital 2023 | Cape Hillsborough / Janne Ramsay | 7 | |
Creative Digital 2023 | Glass Ball Reflection / Judy Ly | 7 | |
Creative Digital 2023 | Luna Park Hair Raiser / Graeme James | 6 | |
Creative Digital 2023 | Rolling The Glass / Nancy Morley | 6 | |
Creative Digital 2023 | Historic Buildings Parramatta Park / Graeme James | 6 | |
Creative Digital 2023 | Burwood After Dark / Judy Ly | 6 | |
Creative Digital 2023 | Wineglass Bay / Janne Ramsay | 6 | |
Australian Landscape/Seascape Digital 2023 | |||
Australian Landscape/Seascape Digital 2023 | Knobbys Beach / Michael Frost | Accepted | 10 |
Australian Landscape/Seascape Digital 2023 | Lamington Sunset / Sue Crowe | Accepted | 10 |
Australian Landscape/Seascape Digital 2023 | The Giants Above / Nancy Morley | Accepted | 9 |
Australian Landscape/Seascape Digital 2023 | Reflections near Blowhole / Omid Mazloomi | Accepted | 9 |
Australian Landscape/Seascape Digital 2023 | Early Morning in Perisher / Janne Ramsay | Accepted | 9 |
Australian Landscape/Seascape Digital 2023 | Megalong Valley / Larry Armstrong | Accepted | 8 |
Australian Landscape/Seascape Digital 2023 | Snowgum / Tony Strasser | Accepted | 8 |
Australian Landscape/Seascape Digital 2023 | Lockhart River / David Mellefont | Accepted | 7 |
Australian Landscape/Seascape Digital 2023 | Coila Bay / Ruth Penman | Accepted | 7 |
Australian Landscape/Seascape Digital 2023 | Camel Rock / David Mellefont | 6 | |
Open Colour Print 2023 | |||
Open Colour Print 2023 | Uni Spiral / Chris Kenyon | Accepted | 12 |
Open Colour Print 2023 | Sunset Strip Menindee / Elaine Holliday | Accepted | 11 |
Open Colour Print 2023 | King of the Mardi Gras / Elaine Holliday | Accepted | 10 |
Open Colour Print 2023 | Modern Architecture / Omid Mazloomi | Accepted | 9 |
Open Colour Print 2023 | Desert Storm / Robin Levin | 8 | |
Open Colour Print 2023 | Left and Right / Chris Kenyon | 8 | |
Open Colour Print 2023 | Seiler / Graeme James | 8 | |
Open Colour Print 2023 | Best View In Town / Robin Levin | 8 | |
Open Colour Print 2023 | Boat Race / Graeme James | 6 | |
Open Colour Print 2023 | Peace Lily / Larry Armstrong | 6 | |
Open Mono Print 2023 | |||
Open Mono Print 2023 | Circular Interior / Don Dickins | Accepted | 11 |
Open Mono Print 2023 | Granny having a Cup / Philip Weir | Accepted | 11 |
Open Mono Print 2023 | Egg Fork / Jonathan Holliday | Accepted | 10 |
Open Mono Print 2023 | Still Life Tulips / Don Munro | Accepted | 10 |
Open Mono Print 2023 | Take Me to the Church / Elaine Holliday | Accepted | 10 |
Open Mono Print 2023 | Grassy Headland / Elaine Holliday | Accepted | 10 |
Open Mono Print 2023 | The Lennox Parramatta / Graeme James | 9 | |
Open Mono Print 2023 | Two Trees / Don Dickins | 9 | |
Open Mono Print 2023 | Third Eye / Don Munro | 8 | |
Open Mono Print 2023 | Heading for Shore / Nancy Morley | 8 | |
Open Nature Print 2023 | |||
Open Nature Print 2023 | Mount Buffalo / Chris Kenyon | Accepted | 12 |
Open Nature Print 2023 | Flannel Flower / Don Dickins | Accepted | 10 |
Open Nature Print 2023 | Splendor in the Grass / Larry Armstrong | Accepted | 10 |
Open Nature Print 2023 | Covid Like Fungi / Don Dickins | Accepted | 9 |
Open Nature Print 2023 | Hungry Darter / Prasad de Silva | Accepted | 9 |
Open Nature Print 2023 | Stripping Bark / Larry Armstrong | Accepted | 9 |
Open Nature Print 2023 | Coming Home / Tony Strasser | 8 | |
Open Nature Print 2023 | Zebra Finches / Tony Strasser | 8 | |
Open Nature Print 2023 | Road Kill / Max Pegler | 8 | |
Open Nature Print 2023 | Beside the River / Nancy Morley | 6 | |
Drone/Aerial Photography 2023 | |||
Drone/Aerial Photography 2023 | Arizona / Richard McMullen | Accepted | 14 |
Drone/Aerial Photography 2023 | Streams of Gold / Jonathan Holliday | Accepted | 14 |
Drone/Aerial Photography 2023 | Flames of Tyrell / Elaine Holliday | Accepted | 14 |
Drone/Aerial Photography 2023 | Salt Junction / Sonia Conn | Accepted | 12 |
Drone/Aerial Photography 2023 | Rolling Waves / Nancy Morley | Accepted | 12 |
Drone/Aerial Photography 2023 | North Curl Curl Rock Pool / Elaine Holliday | Accepted | 11 |
Drone/Aerial Photography 2023 | Netting / Jonathan Holliday | Accepted | 9 |
Drone/Aerial Photography 2023 | Kati Thanda One / David Mellefont | 7 | |
Drone/Aerial Photography 2023 | Lady of Lake Wakatipu / Sonia Conn | 6 | |
Drone/Aerial Photography 2023 | Olgas Uluru / Menno Kipper | 4 |
Award Certificates: You can generate award certificates to save or print out from the website click here.
Acceptance scores
Open Mono Print 2023 : 10
Open Colour Print 2023 : 9
Open Nature Print 2023 : 9
Open Colour Digital 2023 : 9
Open Mono Digital 2023 : 9
Nature Digital 2023 : 9
Creative Digital 2023 : 8
Australian Landscape/Seascape Digital 2023 : 7
Drone/Aerial Photography 2023 : 8
Whether an entry has been awarded an acceptance is determined by the acceptance score set for each competition. After the first round of judging the top scoring images in each section were reviewed by the judges to determine the awards.
A catalogue showing all awards and acceptances will be available on the website soon.
by Janne Ramsay, 5 December 2023
Results for competitions in Poster Competition
There were 3 entries that were rated the highest by our judge(s).
Members can view all images and comment on them by following this link
View / Comment entries in Poster Competition
click here to see a pdf catalog of all competition results
1929 Buick Don Dickins – First Poster Competition |
Flames at Tyrrell Elaine Holliday – Second Poster Competition |
Abandoned grader Jonathan Holliday – Third Poster Competition |
by Don Dickins, 5 December 2023
Results for competitions in Poster Competition
There were 3 entries that were rated the highest by our judge(s).
Members can view all images and comment on them by following this link
View / Comment entries in Poster Competition
click here to see a pdf catalog of all competition results
1929 Buick Don Dickins – First Poster Competition |
Flames at Tyrrell Elaine Holliday – Second Poster Competition |
Abandoned grader Jonathan Holliday – Third Poster Competition |
by Don Dickins, 4 December 2023
Results for competitions in Comp 12 Print and Projected Image
There were 12 entries that were rated the highest by our judge(s).
Members can view all images and comment on them by following this link
View / Comment entries in Comp 12 Print and Projected Image
click here to see a pdf catalog of all competition results
Blue vase Elaine Holliday – First Open Colour Large Print |
Take me to church Elaine Holliday – First Open Mono Large Print |
Mardi Gras Jonathan Holliday – First Open Small Print |
The Taste Dig open Philip Weir – First Digital |
Uni Spiral Chris Kenyon – Second Open Colour Large Print |
Granny having a cuppa Philip Weir – Second Open Mono Large Print |
Foggy Morning Kate Fujii – Second Open Small Print |
Phil Weir Prasad de Silva – Second Digital |
Seiler Graeme James – Third Open Colour Large Print |
Circular Interior Don Dickins – Third Open Mono Large Print |
Time to Bloom Chris Kenyon – Third Open Small Print |
STEAM PUNK GENT Don Dickins – Third Digital |
by Don Dickins, 4 December 2023
Last Meeting for 2023 Images of the Year, Poster sized image & Christmas Party
Don’t forget next Monday night is the last meeting for 2023, bring some nibbles or drink, the church wont permit alcohol.
Reminder for those doing poster sized prints minimum size is 40.6 X 50.8, please hard back your prints as they are difficult to display and handle if unbaked.
See you Monday Night
by Chris Kenyon, 29 November 2023
Print & Projected Images Of The Year –
Just a reminder that all entries in the final competition for the year on the 4th of December Print & Projected Image of the Year MUST be as originally presented during this years competitions i.e. additional image manipulation is not permitted
This is a competition to determine the best images presented throughout the year.
Chris Kenyon
by Chris Kenyon, 22 November 2023